This is the most stunning and decisive factor in the prayers of the Psalter.” 1 In a book titled Tales of the Hasadim, Martin Buber, an early twentieth-century Jewish philosopher, offered these words concerning the relationship between God and humankind: Walter Brueggemann describes this relationship by saying, “The Psalms are prayers addressed to a known, named, identifiable You. With this abundance of first and second person pronouns in the first six verses, Psalm 139 reflects the profound relationship of the “I” and “You” (or, “I” and “Thou”) in ancient Israel. In addition, the psalmist refers to self thirteen times: “you have searched me and known me,” “when I sit down and when I rise up,” “ my thoughts,” “ my path,” etc. Second person pronouns occur ten times in the first six verses: “ you have searched,” “ you know,” “ you discern,” etc. To begin, the psalmist addresses God directly, using the personal name of Israel’s God, Yahweh (1, 4). ![]() The singer seems to desire absolute innocence from any thought or inclination that might justify the sentiment of those who speak mischief and rise up in hate (20). It concludes with a plea to God to search for any ill-feelings towards others, presumably those who have so hurtfully oppressed. Here, the psalmist celebrates the creative goodness of God in verses 1-18, and provides a glimpse of the oppression that occasioned the composition of the psalm in verses 19-22. In this genre, singers praise God for God’s goodness in delivering them from various life-threatening situations, such as illness, oppression, enemy attack, etc. More recently, Hasbro’s movie studio (which has gone by Hasbro Studios, Allspark, and now Entertainment One) has fallen on hard times, and has been restructuring its properties internally since the end of last year.Psalm 139 is classified as an Individual Hymn of Thanksgiving. ![]() Joe together with M.A.S.K., Visionaries, ROM, and the Micronauts. ![]() They’ve also brought toy lines Jem and the Holograms and My Little Pony, as well as licensed properties Power Rangers and Dungeons & Dragons.īut the attempts to make a shared universe have largely faltered, including a never-produced toy-centric franchise that brought G.I. Joe movies, Hasbro has made films out of board games Clue, Battleship, and the Ouija board. In addition to the Michael Bay-produced Transformers movies and the (underrated!) G.I. Joe and Transformers crossover comics, it’s surprising that the two properties haven’t yet properly crossed over in movies, especially given Hasbro’s many attempts at breaking into Hollywood. Joe series by John Barber and Tom Scioli, which takes the form of an early Silver Age comic.ĭespite the ubiquity of G.I. Comic runs from current rights-holder IDW Publishing have been more playful in their approach, including the 13-issue Transformers vs. But as much as the settings and tones changed, the basic premise remained the same: The Joes used Autobots as weapons to defend Earth/America/oil Interests, and Cobra used Decepticons as vehicles for terrorism/destruction of the Earth.Įven a 2004 miniseries from Dreamwave Publishing-featuring a script by John Ney Rieber and moody visuals from penciler Jae Lee, inker Rob Armstrong, and colorist June Chung-followed the basic plot beats, despite taking place in the 1930s with the Joes as the Allies and Cobra as the Axis. Knowing the value of the properties, these publishers regularly brought the two toy lines together. Joe ongoing, which spun off into a Transformers series.Įventually, the licenses went on to other comic book companies, including Devil’s Due and IDW. Seven years later, Marvel introduced the Generation 2 Transformers into continuity through a story arc in the G.I. Joe and Transformers, a four-part miniseries that began with the Joes murdering Bumblebee and later teaming with the Autobots to keep an atomic base out of the hands of Cobra and the Decepticons. Marvel obtained the comic rights to both franchises in the 1980s, and first brought them together in 1986 for G.I. However, comic books made the connections far more explicit. But despite their shared parent company, the two franchises only made winks to one another, with elderly versions of Joes like Snake Eyes and Flint showing up in the 2006 setting of The Transformers. Joe: A Real American Hero, which ran from 1983 to 1986 while The Transformers ran from 1984 to 1987. The two lines ruled toy aisles of the 1980s thanks in large part to their syndicated animated series: G.I.
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